The Compliment Hiding in My Inbox: Why Clients Rarely Praise the Deliverable
Photo: Solutionservice21, CC BY-SA 4.0, via Wikimedia Commons
Last winter, during a slow stretch between contracts, I did something I'd been avoiding for years: I read every client email I'd ever saved. Six years of correspondence, sorted into a folder I named "wins" back when I still believed wins looked like certain kinds of sentences.
I expected to find quotes about the work. Clean layouts. Sharp copy. That landing page that converted. What I found instead surprised me enough that I closed the laptop and thought about it for a full day.
What They Actually Remembered
Out of roughly two hundred emails worth rereading, fewer than a dozen praised a deliverable in specific terms. The rest said things like this, from a nonprofit communications director in Chicago:
"I want you to know how much it meant that you told us the timeline wasn't realistic before we'd even signed anything."
Or this, from a founder in Austin whose product launch had gone sideways:
"You were the calmest person on a very chaotic call. That mattered more than the deck."
Or the one I think about most, from a client whose project I'd essentially talked her out of:
"You're the only vendor who ever told me not to spend the money."
None of these sentences would survive a copywriter's red pen. They're not about typography or conversion rates or the craft I'd spent a decade sharpening. They're about temperament. Honesty. Restraint. The unglamorous behaviors that clients experience as character — and remember long after they've forgotten which font we used.
The Portfolio Problem
Here's what troubled me: my portfolio made zero room for any of it.
Every case study followed the same script. Challenge, approach, result, metric. All true. All useful. But nowhere in that structure was there a home for the sentence about telling a client not to spend her money — which, I'd argue, says more about what it's like to work with me than any metric ever could.
Recruiters and potential collaborators aren't only evaluating output. They're trying to answer a quieter question: what will this person be like in week six, when the deadline slips and the feedback stings? Deliverable-focused portfolios force that question to go unanswered. Character testimonials answer it directly.
I've started calling these "the second portfolio" — the one written by clients, about how you behaved, not what you produced.
How to Ask Without Feeling Awkward
The awkwardness of requesting a testimonial is, I think, mostly a framing problem. Most of us ask the wrong question: "Would you be willing to write me a recommendation?" That's a big ask. It requests labor, and it requests praise, and it hands the person a blank page.
What worked better for me was asking about the experience, not the outcome:
- "Looking back on the project, was there anything about how we worked together that stood out — good or bad?"
- "Was there a moment during the engagement where you felt particularly supported, or particularly frustrated?"
- "If a colleague asked what it was like to work with me, what would you tell them?"
These questions are easier to answer because they invite stories rather than endorsements. And interestingly, the answers almost never come back about the deliverable. Ask about the experience and you get the calm, the honesty, the showing up. Ask for a recommendation and you get "great to work with, would recommend" — the testimonial equivalent of a shrug.
One more practical note: timing matters less than specificity. I've had better luck asking four months after a project ends than four days, because by then the client remembers what actually stuck. The launch fades. The Tuesday you stayed on the phone through their internal panic does not.
Making Room on the Page
If you decide to feature character testimonials, resist the urge to bury them in a wall of quotes. I built a single page called "In Their Words" — but I curated it hard. Three quotes, maximum, each one about how I work rather than what I made. Beside each, a one-line note on the project it came from, so the praise has context without turning into a case study.
The result felt strange at first. Less impressive, even. A portfolio of deliverables performs competence; a portfolio of character testimonials performs trustworthiness, which is quieter and harder to fake. But the inquiries I get now are different. People arrive already half-convinced I'm someone they can rely on, which shortens every conversation that follows.
The work still matters. It always will. But the emails taught me something I wish I'd learned years earlier: clients rarely remember the deliverable. They remember the person who delivered it. Your portfolio should let them meet that person, too.